Download PDF"Camm's soprano was edged with almost startling sweetness in the opening "Requiem aeternam," where she cast an ethereal light."
"The opening "Requiem aeternam" was refined, noble and spacious…. The effect of this spacious interpretation was quite moving, and the conclusion was enhanced by a radiant soprano, Camm, in her festival debut. "
"Rebekah Camm delivers Dolly's vocal goods nimbly…"
"Rebekah Camm capably dispatches the largely thankless role of the meddling chatterbox."
“The well-matched cast includes Rebekah Camm in a commanding performance of the title role. The soprano's tone can be a little edgy, but the technique is sure, the phrasing deeply communicative. She's a riveting actress, too”
“Camm's singing also rose the occasion here…. In big dramatic moments she showed tremendous volume and strength.”
“The evening's high point was soprano Rebekah Camm's '"Golden Babies"' from Bolcom's opera '"McTeague,"' as scene in which love of money is the root not only of evil but also of insanity.”
“HGO Studio soprano Rebekah Camm sang Pamina with pure-toned heartbreak and then youth-enthused joy.”
“ HGO studio artist Rebekah Camm gave a compelling performance as the woman from El Salvador… ”
”Other portions were equally mesmerizing. The story of Eva told in the Central American section was heart-breaking as sung by Rebekah Camm.”
“Rebekah Camm supplied a shining and agile Marzelline… ”
“Marzelline, played by Rebekah Camm, was the very essence of girlish enthusiasm; her aria, O wär ich schon mit dir vereint was simply charming.”
“Soprano Rebekah Camm brought both brainpower and an unfailingly gorgeous voice to the role of Pamina, lighting up the stage every time she appeared.”
“Yet, in spite of the obvious collective talent, only one of the young artists gave a truly unforgettable performance. Rebekah Camm inhabited the role of Micaëla, bringing depth to the often bland ingénue. With a sizable, crystalline soprano, she maintained sweetness and fragility until her final climactic note, where evidence of a significant new voice in opera was unmistakable.”
“Rebekah Camm shone as Gretel, with a voice that suggests a Brünhilde in training and a physicality that allowed her to perform cartwheels actress the stage in between challenging vocal passages.”
“We would have been thrilled if everyone in the cast had matched standards set by Rebekah Camm's Pamina…her ample, lustrous, soprano and eloquent moldings of phrase gave joy throughout.”