Photos and Audio samples are available upon Requestand will be accessible on this site soon.

Zuniga, Carmen, VIRGINIA OPERA

“Wojciech Bukalski cut a dashing figure as Captain Zuniga, singing with a full, gutsy bass sound.”

B.J. Atkinson, Port Folio Weekly

“Wojciech Bukalski… [was] excellent.”

T.L. Ponick, The Washington Times

Baron Mirko Zeta,The Merry Widow, ASH LAWN OPERA FESTIVAL

“Bass Wojciech Bukalski was charming and charismatic as Baron Zeta. He delivered his lines with enthusiasm and wit, bringing comic relief to the production when appropriate”

Melissa Sumner, Daily Progress

Leporello, Don Giovanni, MOBILE OPERA

“Bukalski…is a real find and he gives Leporello a defiant dignity and even a little charm in the face of the Don's brutality and reckless hedonism.”

Mobile Register

Dr. Bartelo, Il Barbiere di Siviglia, ASH-LAWN OPERA FESTIVAL OPERA

“Wojciech Bukalski is suitably overweening yet bumbling as Bartolo…”

Clarke Bustard, Richmond Times-Dispatch


Vanuzzi, Die Schweigsame Frau, LONG BEACH OPERA

“…Wojciech Bukalski is Vanuzzi, the famous Italian opera star who is…just Italian enough to suggest the ego of the grand opera star.  A bass, he also sings with great depth and passion...”

John Farrell, Press - Telegram


Roberto, La finta Giardiniera, FLORIDA GRAND OPERA

“…Wojciech Bukalski is a delightful revelation as Roberto.  Laidback, kooky and very, very funny, he has a fluid pliable voice that allows him to sing conversationally, as it were, with the trippingly-on-the-tongue finesse of a tenor – extremely rare for a bass.”

Tony Guzman,The Miami Sun Post

“Wojciech Bukalski gave an excellent portrayal of Roberto/Nardo.”

Maria Nockin, Opera Japonica

Emile, South Pacific, ASH-LAWN OPERA FESTIVAL

“…Emile de Becque , played by Wojciech Bukalski, gets some of the most beautiful songs in the whole show....He has a beautiful voice and gave a very moving performance.”

Eleanor Tudor, The Daily Progress


Colline, La bohème, FLORIDA GRAND OPERA

“As the philosopher Colline, Wojciech Bukalski continues to impress for his breezy comedic flair and the litheness of his singing for a bass.  He might be termed a ‘”lyric bass”’ and his Colline is subtly endearing…”

Tony Guzman, The Miami Sun Post

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